Shade-taking for restorations
Mimicking the positioning, contours and optical surface properties of adjacent and opposing natural teeth as realistically as possible is an important part of integrating dental prostheses inconspicuously into the mouth. The optical surface properties are summarized by the term "tooth shade" despite the fact that they include a wide range of parameters such as shade, shade gradient, brightness, shade saturation, translucency (light shimmering through light-scattering material) versus opacity (due to scattering of light), fluorescence or phosphorescence (light emission due to, e.g. UV light), glaze (due to reflection of light).
The virtually infinite spectrum comprising millions of naturally occurring tooth shades subjectively perceptible to the human eye can be reduced to a few standardised shades (clearly defined and described for objective documentation and communication) and only incur minimal aesthetic sacrifices. These are then incorporated into so-called shade guides (mostly one-dimensional/linear, rarely multi-dimensional, encompassing various parameters) such as for prefabricated denture tooth. These shade tabs are usually contoured like teeth, made of the restorative (e.g. composite or porcelain) and used for comparing with patients' teeth and/or restorations.
Shade guide
Shade guides are also available in gingival shades for imitating soft tissues such as mucosa.
As each specific surface appears differently (metamerism) when illuminated with light of differing intensities or wavelengths (sun, cloudy, dawn, artificial lighting), in order to achieve predictable results wherever possible shade-taking must be carried out under reproducible, standardised lighting conditions. To achieve these, various technical aids such as identical ring lights for dentist and technician, cameras with white balance or special electronic devices which measure spots or use standardised photos for "surveying" the various areas of the tooth (such as the incisal, dentine, cervical and proximal regions) and displaying the results to correspond with standard shade guides are employed.
... or need professional advice?
Get in touch with us or click Contact.
English | German |
---|---|
refill pack | Nachfüllpackung |
Wax build-up technique Wax build-up technique The various anatomical structures (such as cusp tips and slopes as well as marginal ridges) are usually built up one after another by adding small portions of wax (often using differently coloured waxes for didactic purposes). The firm, special waxes first have to be melted at room temperature. This can be carried out by warming small portions on differently shaped working tips of hand instruments in an open flame (such as a gas burner) or using electrically heated instruments which provide for more accurate temperature control and avoid contamination (e.g. electric wax-knife, induction heaters, wax dipping units). The wax is applied drop-by-drop to ensure that the warmer molten wax added last fuses seamlessly with the firm, cooler material. After hardening, the wax pattern can be reduced by sculpting, milling guidance surfaces or drilling to add retainers. Modern procedures include flexible, occlusal preforms for adding contours to soft wax. In addition, wax preforms, such as for occlusal surfaces or bridge pontics, are available in various shapes and sizes. Recently, irreversible, light-curing materials have been introduced for use instead of reversible thermoplastic waxes. Wax preforms To ensure that the wax pattern can be released without being damaged, model surfaces, opposing dentition and preparations must be hardened/sealed with special lacquer (applied by spraying, brushing or dipping). These waxes are mostly relatively rigid/elastic after cooling. Attaching wax sprues to a removable framework supported on double crowns using a hand instrument When employing the lost wax technique, prefabricated wax sprues, bars and reservoirs are attached to the patterns. Once the pattern has been released and its sprues waxed onto the crucible former, it is invested in a casting ring with refractory investment material. The wax can then be burnt out residue-free and casting completed. Unlike standard wax build-up techniques, a diagnostic wax-up is not intended for fabricating an indirect restoration, but rather for simulating the appearance and/or external contouring for producing orientation templates. |